My work explores early modern British understandings of group and individual identity. My first book, Barbarous Play: Race on the English Renaissance Stage (University of Minnesota Press, 2008), examines depictions of race in early modern drama by Shakespeare, Marlowe, Webster, and Middleton. The book centers on narratives of miscegenation, religious conversion, class transgression, troubled national boundaries, and moral and physical degeneracy. These stories of individuals crossing the bounds of identities conferred by birth (including membership in a family, religion, class or nation) both unleash and reveal the culture's anxieties and fantasies about racial identity. I argue that such racial data are far more diverse, diffuse, and developed in Renaissance literary culture than has previously been believed and dispute a prevailing claim that race is based on science, and that what comes before modern science can therefore not be race.
My new book, Almost Human: The Limits of Personhood in Early Modern England, takes up early modern conceptions of human identity, via entities on the human-inhuman boundary, such as robots and people with feeling hearts made of stone.