F-Gender/Ability/Queer Studies/Sexuality

Gender, Ability, Queer Studies, and/or Sexuality courses focus on the ways that issues of sexuality, gender, queerness, and disability are represented, critiqued, and developed in media and literature.


Thorsson, Courtney

In this course, we will study novels by Black American women from the late nineteenth century to the present. Using close reading and historical context, we will consider how these novels construct race, class, and gender; the possibilities and limits of the novel form; whether and how these... (read more)


Barter, Faith

This course considers how women writers acknowledge, resist, and re-imagine their relationship to law. We will read literary works that directly engage law, as well as scholarship from legal studies to explore questions including: What is the relationship between law and literature? How do women... (read more)


Clevinger, Kara

“This is who we are, Mama. Real women.” This declaration made by America Ferrera’s character Ana in the 2002 coming-of-age film Real Women Have Curves marks a powerful turning point for Ana as she stands up for all women who have been made to feel ashamed for their bodies, their choices, their... (read more)


Bohls, Elizabeth

How many novelists have you heard of who wrote before Jane Austen? By Austen’s day—the early 19th century—the English novel had come into its own, following roughly a... (read more)


Miller, Quinn

This course analyzes situation comedy as a form that women writers use in and beyond television. Reading sitcom scripts, stand-up transcripts, and situation-... (read more)


Wheeler, Elizabeth (Betsy)

One could say that most comics are about the human body, in all its variations, exaggerations, erotics, poses, powers, and vulnerabilities. ... (read more)


Kaufman, Heidi

This course will delve deeply into George Eliot’s last multi-plot novel, Daniel Deronda (1876). On the occasion of the 200th anniversary of her birth, the course will... (read more)


Clevinger, Kara

"This is who we are, Mama. Real women." This declaration made by America Ferrera's character, Ana, in the 2002 film Real Women Have... (read more)


Dugaw, Dianne

Major British Writers: Aphra Behn is an examination of this important writer who dominated London theatre in the 1670s, invented the English novel, translated philosophic and... (read more)


Barter, Faith

Feminist Jurisprudence provides an analysis and critique of women's position in patriarchal society and examines the nature and extent of women's subordination. It explores the role of law in maintaining and perpetuating patriarchy. This course will trace literary representations of women over... (read more)


Kaufman, Heidi

Novels written by the Brontë sisters—Jane Eyre and Villette by Charlotte Brontë (1816-1855), Wuthering Heights by Emily Brontë (1818-1848), and Agnes Grey and The Tenant of Wildfell Hall by Anne Brontë (1820-1849)—have remained a significant part of... (read more)


McGuffie, Allison

This course studies works of film and media as representational objects that engage with communities identified by intersectional categories including sex,... (read more)


Clevinger, Kara

Who is the American “I”? Rugged individualism has long been central to American identity and culture, but what perspectives and possibilities are excluded from the “I” crafted by male writers like Benjamin Franklin, Henry David Thoreau, Frederick Douglass, and Ernest Hemingway? In our course we... (read more)


Clevinger, Kara

The novel as a newer literary genre was a powerful, even potentially dangerous force in the newly-formed American nation. One 1838 critic declared that “the object of novelists in general appears to be to seize the public mind, and hold it with a sort of enchantment.” What captivated and... (read more)


This course introduces students to the manner in which South Africans have been represented through fiction, documentary, and experimental films from the pre-apartheid to the post-apartheid eras. We will focus specifically on representations of blackness in South Africa in order to understand... (read more)


Miller, Quinn

This course introduces students to critical thinking about the historical and economic factors influencing film, media, and cultural production in Hollywood and in response to Hollywood. Unconventional textual and contextual dynamics, understood as queer history, are the focus of the course,... (read more)


This course will examine Native women’s fiction, paying particular attention to the ways its form and content uphold and contest terms like “feminism,” “fiction,” and “native.” The central concern of this course is Native women’s textual representations of their bodies and voices, both physical... (read more)


LeMenager, Stephanie

This course begins with the question of what is the American novel? It is a question asked and answered by some of the most ingenious and challenging thinkers of the 20th century, who, as it turns out, were novelists. But for these thinkers who thought in the form of novels, the 20th century was... (read more)


Wheeler, Elizabeth (Betsy)

This theater class is a great chance to branch out into creative work and community involvement. UO students create and perform a play together with adults with intellectual and developmental disabilities from the Eugene-Springfield community. Tell stories from your life, work on the script,... (read more)


Thorsson, Courtney

In this course, we will study selected writings of Toni Morrison in their historical, political, and literary contexts. In addition to Morrison’s work as a novelist, we will consider her work as a literary scholar, editor, and advocate for and representative of contemporary African American... (read more)


Bryant-Berg, Kristy

This course develops appreciation and understanding of 20th Century American novels by examining provocative samples exemplifying notable trends. We will explore both modernist roots reshaping the American novel and contemporary highlights challenging the novel’s form and complicating American... (read more)


Wheeler, Elizabeth (Betsy)

One could say that most comics are about the human body, in all its variations, exaggerations, erotics, poses, powers, and vulnerabilities. This course looks at the human body in contemporary comics with particular attention to disability and gender. We’ll read 4 comics genres: anime, memoir,... (read more)