Applies technology as a drawing medium to communicate concepts visually. The entire creative process is researched in an experimental studio environment.... (read more)

Wars, Recoveries, Politics in Graphic Novels

Comics and graphic narratives are uniquely suited to exploring cultural location because they transform the storytelling unit of the page into a space of representation. The comics page graphically negotiates dynamics of home and away, self and other, as well as race and culture. In this course... (read more)

This class is conceived as an introduction to the art of comics, and to the methodologies of the new academic discipline of Comics Studies. Course content will vary from term to term, according to the specialist interests of the individual instructor, within the following parameters. Students... (read more)

Monsters mirror the anxieties and fears of the cultures and communities in which they are formed, emerging more vigorously when cultural stresses are keenest. This course examines the Jewish experience in the modern world by exploring both the monsters Jewish artists and writers created and the... (read more)

In this seminar, professional comics writer Jen Van Meter (Hopeless Savages, The Death Defying Doctor Mirage) will help students explore the function and demands of the script as a technical tool in the process of making contemporary comics. Readings will include professional... (read more)

Applies technology as a drawing medium to communicate concepts visually. The entire creative process is researched in an experimental studio environment. Prerequisites: ART 115, 116, 233 and ARTD 250.

Surveys the 1,000-year history of visual-verbal narratives—comics—in Japan, ranging from medieval picture to modern manga.

Asian American Comics

The growing acceptance of comics and graphic novels as “serious” literature owes much to the genre’s embrace as a powerful vehicle for memory, especially by minority writers seeking to showcase “non-normative” accounts of American life: the experiences of being gay,... (read more)

This class provides an introduction to the political and aesthetic history of Anglo-American comics and to the academic discipline of Comics Studies. You will be exposed to a spectrum of comic-art forms (the newspaper strip, the comic book, the graphic novel) and a variety of modes and genres (... (read more)

This class provides an introduction to the political and aesthetic history of Anglo-American comics and to the academic discipline of Comics Studies. You will be exposed to a spectrum of comic-art forms (the newspaper strip, the comic book, the graphic novel) and a variety of modes and genres (... (read more)

The Mediterranean is a site of exchange between three different continents. In this course, we will explore the way that graphic narrative – as a genre of crossroads – constructs Mediterranean identity and the impact of visual media on present-day regional conflicts. We will examine Italian,... (read more)

This class is conceived as an introduction to the art of comics, and to the methodologies of the new academic discipline of Comics Studies. Course content will vary from term to term, according to the specialist interests of the individual instructor, within the following parameters. Students... (read more)

While many consider comics an American form of popular culture, sequential art is a global medium. Around the world, cultures have developed unique comics traditions with their own rich histories. In “World Comics,” we will investigate a few of these traditions. By examining comics and comics... (read more)

This course provides an introduction to the academic discipline of Comics Studies, which focuses on
comics as a form of literary production and asks questions about how and why comics are written and
read. You will be exposed to a variety of comic-art forms (the newspaper strip, the... (read more)

The growing acceptance of comics and graphic novels as “serious” literature owes much to the genre’s embrace as a powerful vehicle for memory, especially by minority writers seeking to showcase “non-normative” accounts of American life: the experiences of being gay, non-white, foreign, non-... (read more)

Despite the fact that critics and scholars across the globe have been writing about comics for decades, many people were surprised to hear that at the University of Oregon, the Department of Comparative Literature now offers comics-dedicated courses and you can even minor in Comics and Cartoon... (read more)

This course provides an introduction to the history and aesthetic traditions of Anglo-American comics, and to the academic discipline of Comics Studies. Together we will explore a wide spectrum of comicart forms (especially the newspaper strip, the comic book, the graphic novel) and to a variety... (read more)

This course offers an in-depth examination of one particular group – Asian Americans – which has gained especial prominence in the comics world in recent years. Artists like Gene Yang, Lynda Barry, and Adrian Tomine have begun to demonstrate how the combination of image and text can capture the... (read more)

The Mediterranean is a site of exchange between three different continents. How do individuals from North Africa, West Asia, and Southern Europe navigate questions of national and regional identity at these geographic crossroads? We will explore the way that graphic narrative – as a genre of... (read more)

This course considers how gender is relevant to the creation, study, and appreciation of art and culture. This class introduces and addresses socio-cultural factors influencing gender expression and discusses gender as a vehicle for understanding artistic creation and select artistic mediums in... (read more)

What is Manga? How does it work? This course traces the history of Japanese modern comic book (Manga) from the nineteenth century to present.

Examines application of print media in contemporary visual culture; explores its use in a fine art context. Introduces digital drawing, digital photo editing, and typographic layout to visually communicate expressive concepts. Laboratories, lectures.

his course considers the way graphic narratives often mediate traumatic historical events through seemingly simple images. Symbolic representations of moments of violence, conflict, and transformation can shape the way history is told—whether it is the history of an individual, a family, or a... (read more)

Taught by nationally syndicated cartoonist, Jan Eliot — the creator of Stone Soup — this four-credit class will meet from 2pm to 5pm on Wednesdays throughout Spring Term of 2016. Ms. Eliot will guide you through the design, development, and production of your own strip or comic, and offer... (read more)