Comics Studies Minor
Comics Studies Minor courses present students with an international, historical, and critical perspective on the art of editorial cartoons, comic books, and graphic novels, and how these forms communicate, inform, and emotionally engage their audiences. Students will be required to think outside of accustomed disciplinary boundaries, and to analyze and experiment with the interaction of both visual and linguistic systems of meaning.
10883
Instructor: Warren T.
Examines application of print media in contemporary visual culture; explores its use in a fine art context. Introduces digital dreaing, digital photo editing, and typographic layout to visually communicate expressive concepts.
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10897
Instructor: Ching, I
Applies technology as a drawing medium to communicate concepts visually. The entire creative process is researched in an experimental studio environment.
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10897
Instructor: Ching, I
Applies technology as a drawing medium to communicate concepts visually. The entire creative process is researched in an experimental studio environment.
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10898
Instructor: Bray, M
Applies technology as a drawing medium to communicate concepts visually. The entire creative process is researched in an experimental studio environment.
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12342
This class provides an introduction to the history and art of comics and to the methodologies of the academic discipline of Comics Studies. Students will be exposed to a range of different comic-art forms (including newspaper strips, collections of serialized comic books, and free-standing... (read more)
12343
This course provides an introduction to the analysis of comics and graphic narratives in terms of their poetics, genres, forms, history, and the academic discipline of Comics Studies. Our multifaceted examination will balance close reading with in-depth research and analysis of the development... (read more)
12352
This course studies works of film and media as aesthetic objects that engage with communities identified by class, gender, race, ethnicity, and sexuality. It considers both the effects of prejudice, intolerance and discrimination on media and filmmaking practices and modes of reception that... (read more)
16752
Surveys the 1,000-year history of visual-verbal narratives--comics--in Japan, ranging from medieval picture to modern manga.
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17039
In this seminar, we will examine the form of sequential art we call comic books. The course is composed of two parts: close reading of landmark graphic novels and comics, and writing of original comic scripts. Throughout the term, we will examine a wide variety of groundbreaking graphic novels,... (read more)
32044
This course provides an introduction to the analysis of comics and graphic narratives in terms of their poetics, genres, forms, history, and the academic discipline of Comics Studies. Our multifaceted examination will balance close reading with in-depth research and analysis of the development... (read more)
32055
Comics and graphic narratives are uniquely suited to exploring cultural location because they transform the storytelling unit of the page into a space of representation. The comics page graphically negotiates dynamics of home and away, self and other, as well as race and culture. In this course... (read more)
36968
In this seminar, we will examine the form of sequential art we call comic books. The course is composed of two parts: close reading of landmark graphic novels and comics, and writing of original comic scripts. Throughout the term, we will examine a wide variety of groundbreaking graphic novels,... (read more)
22056
This course provides an introduction to the analysis of comics and graphic narratives in terms of their poetics, genres, forms, history, and the academic discipline of Comics Studies. Our multifaceted examination will balance close reading with in-depth research and analysis of the development... (read more)
22075
In the last two decades, comics journalism has become one of the most provocative forms of creative nonfiction and an essential field of comics art. University of Oregon alum Joe Sacco, who received his BA in journalism in 1981, effectively founded contemporary comics journalism through his... (read more)
26412
In this course we’ll explore graphic narratives as a mode of life writing (biography. autobiography, memoir, coming of age narratives). We’ll discuss the ways in which the graphic narrative lends itself particularly well to these kinds of stories. Themes will include: the process of life-writing... (read more)
26419
Once upon a time, the four-color world of the superhero was a comfortingly simple place. Whether they came from distant galaxies or our home planet, the super-powered beings of the 1940s and 50s were secure in their sense of righteousness and generally saw no contradiction between truth,... (read more)
12475
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41839
This course studies works of film and media as representational objects that engage with communities identified by intersectional categories including sex, gender, sexuality, race, ethnicity, nation, class, and ability. It considers historical and contemporary effects of prejudice, intolerance,... (read more)
43549
This course studies works of film and media as representational objects that engage with communities identified by intersectional categories including sex, gender, sexuality, race, ethnicity, nation, class, and ability. It considers historical and contemporary effects of prejudice, intolerance,... (read more)
32147
This course provides an introduction to the analysis of comics and graphic narratives in terms of their poetics, genres, forms, history, and the... (read more)
32157
Comics and graphic narratives are uniquely suited to exploring cultural location because they transform the storytelling unit of the page into a... (read more)
32171
In this seminar, we will examine the form of sequential art we call comic books. The course is composed of two parts: close reading of landmark... (read more)
36488
How do the genres of ... (read more)
36490
Latinx Comics and Graphic Narratives
... (read more)
20933
Applies technology as a drawing medium to communicate concepts visually. The entire creative process is researched in an experimental studio environment. Prerequisites: ART 115, 116, 233 and ARTD 250
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22253
How can artists ethically represent war? Are certain media predisposed to certain kinds of narratives and interpretations of war? Do... (read more)
26548
This course provides an introduction to the analysis of comics and graphic narratives in terms of their poetics, genres, forms, history... (read more)
26555
One could say that most comics are about the human body, in all its variations, exaggerations, erotics, poses, powers, and... (read more)
10656
Examines application of print media in contemporary visual culture; explores its use in a fine art context. Introduces digital drawing, digital photo editing, and typographic layout to visually communicate expressive concepts. Laboratories, lectures.
Instructor: Warren, Tyrras
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11692
Animation: The Enchanted Life of the Moving Image
... (read more)
12117
This course provides an introduction to the analysis of comics and graphic narratives in terms of their poetics, genres, forms, history, and the academic... (read more)
16439
One could say that most comics are about the human body, in all its variations, exaggerations, erotics, poses, powers, and vulnerabilities. ... (read more)
16476
Critical analysis of a range of media from a transnational and/or intercultural perspective. Taught as a hybrid course blending face-to-face and online learning. Recent topics include Tokyo Cyberpunk, Asian Horror, Listening to Cinema. Repeatable thrice for a maximum of 16 credits.
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16980
This course provides an introduction to the analysis of comics and graphic narratives in terms of their poetics, genres, forms, history... (read more)
40514
Applies technology as a drawing medium to communicate concepts visually. The entire creative process is researched in an experimental studio environment.
Instructor: Salter, Michael
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40895
Examines genre of narrative from a comparative and global standpoint, reviewing the impact of comics and other visual media on questions of national, regional, and ethnic identity. Offered alternate years.
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41033
Comics are suddenly everywhere. Sure, they’re in comic books and the funny pages, but now they’re on movie screens and TV screens and... (read more)