Skip to Content
University of Oregon

Sharon Sherman

Sharon Sherman profile picture

More About Sharon Shermans


Most of my published work has concentrated on the relationship between film and folklore and perceptions about traditional expressive behavior as revealed by filmmakers. In addition to numerous articles, my books include:

Folklore/Cinema: Popular Film as Vernacular Culture (co-edited), 2007

Documenting Ourselves: Film, Video, and Culture (1998), the first in-depth study of f    folkloristic films as a genre of documentary film.

Chainsaw Sculptor: The Art of J. Chester Armstrong (1995)

I also am the co-editor of "Film and Folklore," a special double issue of Western Folklore (2006)


Interests include film and folklore, popular culture, mythology, narrative theory, and fieldwork. I am a folklorist and independent filmmaker. I served as the Director of the Folklore Program for over twenty years (1985-2006) at the University of Oregon, where I teach courses on film, folklore, fieldwork, video production, and popular culture.  My films and videos address the interconnection between tradition and the creative process.  They include: Inti Raymi, an indigenous Andean celebration; Kid Shoes, on young men and music; Tales of the Supernatural, an analysis of storytelling events and urban legends; Passover, A Celebration; Kathleen Ware, Quiltmaker; Spirits in the Wood; and Barre Toelken and Barry Lopez: A Conversation.  I also worked as a camerawoman for portions of Jorge Preloran’s series, Patagonia.  I have served on the Executive Board of the American Folklore Society and as the Film and Videotape Review Editor for Western Folklore and the Journal of American Folklore, and am on the board of Folkstreams (, a website devoted to streaming folklore films.