GP
Global Perspectives courses study world cultures in critical perspective, or analyze worldviews that differ substantially from those that prevail in the present-day United States.
12035
This course studies works of film and media as aesthetic objects that engage with communities identified by class, gender, race, ethnicity, and sexuality. It considers both the effects of prejudice, intolerance and discrimination on media and filmmaking practices and modes of reception that... (read more)
12066
This course is an introduction to the modern Anglophone Caribbean novel. Primary reading consists of novels and a few short stories, with publication dates ranging from the 1890s to the late 20th/early 21st century. Although the places of origin for the selected works represent only a small... (read more)
42214
This course studies works of film and media as aesthetic objects that engage with communities identified by class, gender, race, ethnicity, and sexuality. It considers both the effects of prejudice, intolerance and discrimination on media and filmmaking practices and modes of reception that... (read more)
42215
ENG 381M: This asynchronous WEB course studies works of film and media produced around the globe as aesthetic objects that engage with communities identified by class, gender, race, ethnicity, and sexuality. It considers both the effects of prejudice, intolerance and discrimination on media and... (read more)
33637
This course will examine the constellation of history, memory, and family that informs so much of Jewish-American literature. While we will read a handful of pre-2000 texts to get a sense of the wider history and contexts of Jewish literature, the focus of the course this term will be on twenty... (read more)
22465
Literature of the Jewish Ghetto
The idea of the ghetto—as a destination, an origin, a physical boundary, an emotional trap, a labyrinth, a prison, a haven, and an inspiration for self-determination—has been a focal point of Jewish literary culture since the seventeenth century. The first... (read more)
23674
This course studies works of film and media as aesthetic objects that engage with communities identified by class, gender, race, ethnicity, and sexuality. It considers both the effects of prejudice, intolerance and discrimination on media and filmmaking practices and modes of reception that... (read more)
12352
This course studies works of film and media as aesthetic objects that engage with communities identified by class, gender, race, ethnicity, and sexuality. It considers both the effects of prejudice, intolerance and discrimination on media and filmmaking practices and modes of reception that... (read more)
16972
Instructor: Sugiyama M
Application of evolutionary thinking to the origins and function of literature.
... (read more)
17176
English 107: Reinterpreting Ancient World Literature for Modern Times
In this survey course we will be exploring the oral literary traditions from three ancient and early medieval cultures: Greece, India, and the Middle East. We will examine each of our assigned texts through three... (read more)
17177
This course studies works of film and media as aesthetic objects that engage with communities identified by class, gender, race, ethnicity, and sexuality. It considers both the effects of prejudice, intolerance and discrimination on media and filmmaking practices and modes of reception that... (read more)
32054
This course introduces students to critical thinking about the historical and economic factors influencing film, media, and cultural production in Hollywood and in response to Hollywood. Unconventional textual and contextual dynamics, understood as queer history, are the focus of the course,... (read more)
26428
St. Augustine once wrote, “I have become a question to myself.” What does it mean to turn my self into a question? And how could I possibly capture this self in words? Students in this section of 108 World Literature will look at three Renaissance authors—Shakespeare, Montaigne, and Petrarch—who... (read more)
12459
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18223
This course studies works of film and media as representational objects that engage with communities identified ... (read more)
41839
This course studies works of film and media as representational objects that engage with communities identified by intersectional categories including sex, gender, sexuality, race, ethnicity, nation, class, and ability. It considers historical and contemporary effects of prejudice, intolerance,... (read more)
43549
This course studies works of film and media as representational objects that engage with communities identified by intersectional categories including sex, gender, sexuality, race, ethnicity, nation, class, and ability. It considers historical and contemporary effects of prejudice, intolerance,... (read more)
32156
This course introduces students to critical thinking about the aesthetic, historical and economic factors influencing film, media, and cultural... (read more)
22241
This course introduces students to critical thinking about the aesthetic, historical and economic factors influencing film, media, and... (read more)
26306
Examines the research questions and theoretical models used by folklorists and other scholars in the study of vernacular religion and... (read more)
11692
Animation: The Enchanted Life of the Moving Image
... (read more)
12101
War, Peace, and Hospitality in Ancient Poetry and Prose
... (read more)
12128
This course introduces students to critical thinking about the aesthetic, historical and economic factors influencing film, media, and cultural production. The... (read more)
16438
In recent years Jewish fiction and non-fiction writers have turned to the archive quest narrative to explore family secrets, confusing histories, and lost or... (read more)