E-Media/Folklore/Culture
Media, Folklore, and/or Culture courses focus on print and non-print media to explore culture and its processes of creative expression.
20518
In this course we study car collecting and customizing as vernacular art traditions, and survey the astonishing range of human behaviors around cars and trucks. To better understand cars we also will learn of the history of the automotive industry, environmental issues arising from cars, and U.S... (read more)
22463
This class explores liner notes written for vinyl records and other media formats. With a focus on the 1950s-1970s and labels like Rosetta Records, we study essays printed on LP packaging – on the cardboard sleeves that contain, transport, and protect the recorded sound of an album – doing so in... (read more)
22467
Comics and graphic narratives are uniquely suited to exploring cultural location because they transform the storytelling unit of the page into a space of representation. The comics page graphically negotiates dynamics of home and away, self and other, as well as race and culture. In this course... (read more)
23674
This course studies works of film and media as aesthetic objects that engage with communities identified by class, gender, race, ethnicity, and sexuality. It considers both the effects of prejudice, intolerance and discrimination on media and filmmaking practices and modes of reception that... (read more)
16642
This course will examine the Judeo-Christian Bible as a cultural document that continues to exert a strong and often unexamined influence on all aspects of our behavior, beliefs, literature, and art. We will read key sections of the Bible—both from the Hebrew and the Christian portions—examining... (read more)
17039
In this seminar, we will examine the form of sequential art we call comic books. The course is composed of two parts: close reading of landmark graphic novels and comics, and writing of original comic scripts. Throughout the term, we will examine a wide variety of groundbreaking graphic novels,... (read more)
17177
This course studies works of film and media as aesthetic objects that engage with communities identified by class, gender, race, ethnicity, and sexuality. It considers both the effects of prejudice, intolerance and discrimination on media and filmmaking practices and modes of reception that... (read more)
32047
This class explores the histories of women writers creating culture around vinyl records. With a focus on the 1950s-1970s and labels like Rosetta Records, we study essays printed on LP packaging – on the cardboard sleeves that contain, transport, and protect the recorded sound of an album –... (read more)
32054
This course introduces students to critical thinking about the historical and economic factors influencing film, media, and cultural production in Hollywood and in response to Hollywood. Unconventional textual and contextual dynamics, understood as queer history, are the focus of the course,... (read more)
32055
Comics and graphic narratives are uniquely suited to exploring cultural location because they transform the storytelling unit of the page into a space of representation. The comics page graphically negotiates dynamics of home and away, self and other, as well as race and culture. In this course... (read more)
32075
This course is the capstone for the Digital Humanities minor. In it, students will develop an original, term-length digital research project of their own design, bringing together all the skills and knowledge they have developed as they have taken other classes toward the minor. The project... (read more)
35818
There is perhaps no image more widely recognized yet more grossly misunderstood in American popular culture than the “Indian.” Whether viewed as irredeemable savages and impediments to progress or as idealized possessors of primitive innocence and new-age spiritualism, “the Indian” stands as an... (read more)
36120
This course will examine feminist film criticism from multiple theoretical perspectives and diverse geo-political contexts. We will study how feminists have not only critiqued media and its representations of gender but also how the institution of cinema and media itself is gendered in terms of... (read more)
36459
This course participates in the ongoing reassessment of relations between aesthetic modernism and popular culture. The rise of "New Modernist studies" over the past twenty five years, with its expansive historical orientation and interest in modernism's original cultural contexts, has led to a... (read more)
36968
In this seminar, we will examine the form of sequential art we call comic books. The course is composed of two parts: close reading of landmark graphic novels and comics, and writing of original comic scripts. Throughout the term, we will examine a wide variety of groundbreaking graphic novels,... (read more)
22069
This course studies works of film and media as aesthetic objects that engage with communities identified by class, gender, race, ethnicity, and sexuality. It considers both the effects of prejudice, intolerance and discrimination on media and filmmaking practices and modes of reception that... (read more)
22075
In the last two decades, comics journalism has become one of the most provocative forms of creative nonfiction and an essential field of comics art. University of Oregon alum Joe Sacco, who received his BA in journalism in 1981, effectively founded contemporary comics journalism through his... (read more)
22336
Explores the role of folklore in people's religious lives with particular emphasis on narrative, beliefs, rituals, celebrations, otherworldly encounters, pilgrimage, and ecstatic states.
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26412
In this course we’ll explore graphic narratives as a mode of life writing (biography. autobiography, memoir, coming of age narratives). We’ll discuss the ways in which the graphic narrative lends itself particularly well to these kinds of stories. Themes will include: the process of life-writing... (read more)
26419
Once upon a time, the four-color world of the superhero was a comfortingly simple place. Whether they came from distant galaxies or our home planet, the super-powered beings of the 1940s and 50s were secure in their sense of righteousness and generally saw no contradiction between truth,... (read more)
26422
This class introduces students to TV as a way of studying the power dynamics of popular culture—with special attention to the 1950s and 1960s, unconventional forms of art, the overlaps of the music and television industries, and previous student research in this and other queer transgender media... (read more)
16907
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18223
This course studies works of film and media as representational objects that engage with communities identified ... (read more)
41839
This course studies works of film and media as representational objects that engage with communities identified by intersectional categories including sex, gender, sexuality, race, ethnicity, nation, class, and ability. It considers historical and contemporary effects of prejudice, intolerance,... (read more)
43549
This course studies works of film and media as representational objects that engage with communities identified by intersectional categories including sex, gender, sexuality, race, ethnicity, nation, class, and ability. It considers historical and contemporary effects of prejudice, intolerance,... (read more)
32156
This course introduces students to critical thinking about the aesthetic, historical and economic factors influencing film, media, and cultural... (read more)
32157
Comics and graphic narratives are uniquely suited to exploring cultural location because they transform the storytelling unit of the page into a... (read more)
32170
This course brings together critical animal studies and environmental studies.
- The first unit asks what would it be like to be a bat or an octopus or some other species. Imagining the perspectives of other species leads... (read more)
32171
In this seminar, we will examine the form of sequential art we call comic books. The course is composed of two parts: close reading of landmark... (read more)
32380
In this course we study car collecting and customizing as vernacular art traditions, and survey of some of the astonishing range of human behaviors... (read more)
36155
This course brings together readings of the Bible in the Judeo-Christian tradition with apt mythological, folkloristic, and traditional contexts,... (read more)
36490
Latinx Comics and Graphic Narratives
... (read more)
36536
ENG 470/570 Technologies and Texts Capstone As a capstone to the minor in Digital Humanities (DH), this course will give you an opportunity to... (read more)
36540
This course introduces students to television as a way of studying the power dynamics of popular culture. This term the course focuses on the... (read more)
22241
This course introduces students to critical thinking about the aesthetic, historical and economic factors influencing film, media, and... (read more)
22244
What happens to literature when text moves from page to screen? This online course invites students of all majors and levels of... (read more)
22253
How can artists ethically represent war? Are certain media predisposed to certain kinds of narratives and interpretations of war? Do... (read more)
26306
Examines the research questions and theoretical models used by folklorists and other scholars in the study of vernacular religion and... (read more)
26559
Cinema and Ireland
... (read more)
26560
This course addresses the relationship between narrative and cartography. The course engages two perspectives on this topic, as... (read more)
26576
There is perhaps no image more widely recognized yet more grossly misunderstood in American popular culture than the “Indian.”... (read more)
12128
This course introduces students to critical thinking about the aesthetic, historical and economic factors influencing film, media, and cultural production. The... (read more)
16437
This course analyzes situation comedy as a form that women writers use in and beyond television. Reading sitcom scripts, stand-up transcripts, and situation-... (read more)
41036
This course studies works of film and media as representational objects that engage with communities identified by intersectional categories including sex, gender,... (read more)