E-Media/Folklore/Culture
Media, Folklore, and/or Culture courses focus on print and non-print media to explore culture and its processes of creative expression.
32156
This course introduces students to critical thinking about the aesthetic, historical and economic factors influencing film, media, and cultural... (read more)
32157
Comics and graphic narratives are uniquely suited to exploring cultural location because they transform the storytelling unit of the page into a... (read more)
32170
This course brings together critical animal studies and environmental studies.
- The first unit asks what would it be like to be a bat or an octopus or some other species. Imagining the perspectives of other species leads... (read more)
32171
In this seminar, we will examine the form of sequential art we call comic books. The course is composed of two parts: close reading of landmark... (read more)
32380
In this course we study car collecting and customizing as vernacular art traditions, and survey of some of the astonishing range of human behaviors... (read more)
36155
This course brings together readings of the Bible in the Judeo-Christian tradition with apt mythological, folkloristic, and traditional contexts,... (read more)
36490
Latinx Comics and Graphic Narratives
... (read more)
36536
ENG 470/570 Technologies and Texts Capstone As a capstone to the minor in Digital Humanities (DH), this course will give you an opportunity to... (read more)
36540
This course introduces students to television as a way of studying the power dynamics of popular culture. This term the course focuses on the... (read more)
22241
This course introduces students to critical thinking about the aesthetic, historical and economic factors influencing film, media, and... (read more)
22244
What happens to literature when text moves from page to screen? This online course invites students of all majors and levels of... (read more)
22253
How can artists ethically represent war? Are certain media predisposed to certain kinds of narratives and interpretations of war? Do... (read more)
26306
Examines the research questions and theoretical models used by folklorists and other scholars in the study of vernacular religion and... (read more)
26559
Cinema and Ireland
... (read more)
26560
This course addresses the relationship between narrative and cartography. The course engages two perspectives on this topic, as... (read more)
26576
There is perhaps no image more widely recognized yet more grossly misunderstood in American popular culture than the “Indian.”... (read more)
12128
This course introduces students to critical thinking about the aesthetic, historical and economic factors influencing film, media, and cultural production. The... (read more)
16437
This course analyzes situation comedy as a form that women writers use in and beyond television. Reading sitcom scripts, stand-up transcripts, and situation-... (read more)
41036
This course studies works of film and media as representational objects that engage with communities identified by intersectional categories including sex, gender,... (read more)
32008
In this seminar, we will examine the form of sequential art we call comic books. The course is composed of two parts: close reading of landmark graphic novels... (read more)
36141
The growing acceptance of comics and graphic novels as “serious” literature owes much to the genre’s embrace as a powerful vehicle for memory, especially by... (read more)
36318
This course studies works of film and media as aesthetic objects that engage with communities identified by class, gender, race, ethnicity, and sexuality. It... (read more)
36437
In this course we study car collecting and customizing as vernacular art traditions, and survey of some of the astonishing... (read more)
36446
Participants in this class will explore current and longstanding issues in the study of "folk" or vernacular art. The first portion of the course will be... (read more)
23087
This course traces ethnicity, cultural interaction, and forms of folkloristic expression in the British Isles and Ireland. Britain and Ireland possess a... (read more)
27135
Aliens, monsters, killer robots, mutants.... Such metaphors may express cultural fears of the “other” that underlie social prejudice, intolerance, and... (read more)
27349
What happens to literature when text moves from page to screen? This online, team-taught course invites students of all majors and... (read more)
16083
Comics and graphic narratives are uniquely suited to exploring cultural location because they transform the storytelling unit of the page into a space of representation. The comics page graphically negotiates dynamics of home and away, self and other, as well as race and culture. In this course... (read more)
16943
This course studies works of film and media as representational objects that engage with communities identified by intersectional categories including sex,... (read more)
16967
Study of the history of institutions and industries that shape production and reception of film and media.
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42419
Focusing primarily on American/Hollywood filmmaking from the late 1960s through today, this course looks closely at the representation and function of African-Americans and women in film. Using both mainstream and independent films as our primary texts, we will explore how African-Americans and... (read more)
42420
Aliens, monsters, killer androids, mutants.... Such metaphors may express cultural fears of the “other” that underlie social prejudice, intolerance, and discrimination. But viewers and fans may also read against the grain of normative cinematic images, finding identity and affirmation in the... (read more)
32030
This course introduces students to the manner in which South Africans have been represented through fiction, documentary, and experimental films from the pre-apartheid to the post-apartheid eras. We will focus specifically on representations of blackness in South Africa in order to understand... (read more)
32031
This course introduces students to critical thinking about the historical and economic factors influencing film, media, and cultural production in Hollywood and in response to Hollywood. Unconventional textual and contextual dynamics, understood as queer history, are the focus of the course,... (read more)
35996
Examines the research questions and theoretical models used by folklorists and other scholars in the study of vernacular religion and popular spirituality. We will examine religion and spirituality as it is “lived,” focusing primarily on beliefs and practices that are informally learned and... (read more)
35997
This course analyzes situation comedies about consumer culture as works of art that explore U.S. cultural politics from a queer perspective. Examining sitcoms as inquiries into privilege and inequality, we discuss aesthetics, the economics of the media industries, the interdisciplinary field of... (read more)
36001
There is perhaps no image more widely recognized yet more grossly misunderstood in American popular culture than the “Indian.” Across a variety of discursive forms, “the Indian” has been represented as everything from an irredeemable savage and an impediment to progress to an idealized figure of... (read more)
22746
Study of film and media as aesthetic objects that engage with communities identified by class, gender, race, ethnicity, and sexuality.
(read more)
22766
Study of media emerging from computer-based digital techniques, including digital cinema, cyborgs, interactive games, multiplayer online simulations, and viral videos. Offered alternate years.
(read more)
27212
The complex cultural history of Great Britain and Ireland is the focus of this course. We study folk and popular traditions that are current or have been collected in this region, particularly noting how these influence art, literature, history, and socio-political institutions as well as... (read more)
0
COURSE OBJECTIVES: This is the first of a three-term sequence that studies how cinema historically evolved as both an institution and an art form. The aim of the course is to explore the history of world cinema’s beginnings and develop the critical and analytic skills to analyze particular film... (read more)
40808
Aliens, monsters, killer androids, mutants…. Such metaphors may express cultural fears of the “other” that underlie social prejudice, intolerance, and discrimination. But viewers and fans may also read against the grain of normative cinematic images, finding identity and affirmation in the... (read more)
32071
This course will provide students with an understanding of how one of the
major Hollywood studios functioned during Hollywood’s “Classical” Era. We will study the
workings of the studio system and of Warner Bros. in particular, including its stars, directors,
producers, films, and... (read more)
36594
This course introduces students to critical thinking about the historical and economic
factors influencing film, media, and cultural production in Hollywood and in response to
Hollywood. Unconventional textual and contextual dynamics, understood as queer
history, are the focus of... (read more)
22247
This course introduces students to critical thinking about the historical and economic factors influencing film, media, and cultural production in Hollywood and in response to Hollywood. Unconventional textual and contextual dynamics, understood as queer history, are the focus of the course. The... (read more)
