Welcome to the Department of English at the University of Oregon. Our nearly 50 full-time faculty members are committed to offering students a broad foundation in traditional British, American, and Anglophone literary studies, as well as intensive coursework in interdisciplinary studies, emerging media, and current critical methodologies. Learn more about the people and programs of the English Department by exploring our website, or contact us via email.
Faculty, students, and alumni are invited to a memorial service in Ralph Salisbury’s honor. The service will be held this coming Sunday, January 14, at 3:00 pm., in Gerlinger Lounge. A reception in the lounge will follow.
Digital Humanities is a new minor offered by UO English, focusing on literary study through digital culture. Read more in the Daily Emerald story, “New Digital Humanities minor could combine literary culture with modern technology.” (more…)
Marvel: Universe of Super Heroes, an immersive exhibit of over 300 comics-related items will open on April 21, 2018 at Seattle’s Museum of Pop Culture. The event will be a sponsored by Marvel, the Museum of Pop Culture and SC Exhibitions to commemorate the 10th anniversary of the Marvel Cinematic Universe. UO Comics Studies Director, Ben Saunders is one of the event’s curators.
People (view all)
Christine Senavsky (BA English, BMus Music Performance 2016) was valedictorian for the English Department’s class of 2016. This is the text of her commencement speech delivered to her English peers at the 2016 English Department Commencement on the 13th of June 2016.
“Studying English is no mere jaunt through the classics’ corridors.” (more…)
Faculty Books (view all)
Author: David Li
The First and Second Comings of capitalism are conceptual shorthands used to capture the radical changes in global geopolitics from the Opium War to the end of the Cold War and beyond. Centering the role of capitalism in the Chinese everyday, the framework can be employed to comprehend contemporary Chinese culture in general and, as in this study, Chinese cinema in particular.
This book investigates major Chinese-language films from mainland China, Taiwan, and Hong Kong in order to unpack a hyper-compressed capitalist modernity with distinctive Chinese characteristics. As a dialogue between the film genre as a mediation of microscopic social life, and the narrative of economic development as a macroscopic political abstraction, it engages the two otherwise remotely related worlds, illustrating how the State and the Subject are reconstituted cinematically in late capitalism. A deeply cultural, determinedly historical, and deliberately interdisciplinary study, it approaches “culture” anthropologically, as a way of life emanating from the every day, and aesthetically, as imaginative forms and creative expressions.